In 1921, almost a hundred years ago, two Czech brothers wrote a play that introduced a new word to the world and with it, questions of what the world might be like by the turn of the 21st century. The word was “robot,” and the questions are ones that have populated speculative fiction, drama, and film ever since: will there come a time when humans and the machines they create can no longer be distinguished one from another? Will our machines someday outpace us, become smarter than we are? And will they then prefer to be the dominant form, rather than servant to a human master? Will they develop that element in Rossum’s Universal Robots, the play by the Capek brothers, evidenced by irritability? A soul? Read More